Most pieces in place, navigate the puzzle in front of you. But this visit I was able to assume the role that I've become accustomed to. In 2011, New Yorks subway system delivered. This is because it is a performance based video using footage of. I don't recall whether I showed up with completed lyrics or not. Two musicians play classical music on their violins on a subway platform in New York City. There are no evident intertextual references to other music videos, films or TV programmes. WHEN YOU CAME IN FOR THE RECORDING OF "PASSENGER," HOW WAS THAT DIFFERENT FROM YOUR TIME WITH DEFTONES MONTHS EARLIER? DID YOU WRITE NEW LYRICS THERE? I honestly had nothing to do with it other than a mental break and temporary change of perspective. I had no idea whether my approach would work or not and no idea if that idea would ever work again, but in this instance it did. The result of my interruption was for them to unconsciously remember or feel what connected them in the first place.īy the time I saw them again, they had opened their own creative floodgates. They were able to keep up the courtesy to a point, but eventually it was time for me to let them be. I stuck around long enough for them to start itching to not have me around. Poe The Passenger, a pop rock band from Los Angeles, is an indie powerhouse committed to fostering a sense of family among their fans through sincerity and. HOW WOULD YOU DESCRIBE YOUR CONTRIBUTION DURING THOSE WRITING SESSIONS? WHAT WAS THE ATMOSPHERE LIKE? Video of Deftones – Passenger (Mike Shinoda Remix) – Official Audio I could just feel Stephen thinking, "What kind of acid trip crap is this?" I might as well have been wearing hippy beads and bunny ears. I had them each switch instruments, play on the bowls, take one loop and try some improvisation. So I showed up with Tibetan Singing Bowls, some percussion instruments, champagne, and asked them permission to do some experiments. I felt like they just needed a bit of new perspective. Up to that point, they seemed to have been able to navigate through their differences in ideas and approaches. And they are some very strong-willed gents. They certainly weren't going to discuss that with me, an almost total stranger. I may have received bad or exaggerated intel at the time, but I was told the guys were having a bit of writer's block or some turmoil within the band. WHAT DID THOSE INGREDIENTS BRING TO THE WRITING SESSIONS? This is a stop-motion animation, and I made 2 (plus. WITH CHAMPAGNE AND TIBETAN SINGING BOWLS. official music video for Passenger, The Boy Who Cried Wolf, taken from his album of the same name, 2017. Enjoy.ABE CUNNINGHAM REMEMBERS YOU COMING TO THEIR REHEARSAL SPACE IN L.A. It’s an excellent introduction to the new material. We wanted an epic visual backdrop to match the feel of the song but also to juxtapose the claustrophobic theme of the lyrics.” The song was included on the ‘Patchwork’ album last summer but this new version is fresh and different enough to have made the cut on the new album too. We were lucky enough to escape to the beautiful highlands of Scotland to shoot the video. I wrote it in the first lockdown when I was feeling pretty wonky and weird about the world and as a result I feel like it might have captured something that has been universally experienced this year – The way that time has seemed to pass horribly slowly and strangely quickly all at once and the emotional rollercoaster that we have all been on since this thing began. I write a lot of songs and I like most of them, but every now and then one comes along that feels really fresh and exciting. Passenger (also-known-as Mike Rosenberg) says of the song: “When I wrote it, I knew that I’d stumbled across something special. The single coincides with the release of Passenger’s 13th studio album, ‘Songs for the Drunk and Broken Hearted’, which was delayed by the pandemic, allowing for new songs to be written and included. The gorgeous scenery is a match for the beauty of the song. Filmed in the epic Scottish Highlands, here’s the latest video release from Passenger, ‘Sword from the Stone’.
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